Regina jose galindo biography examples

Regina José Galindo

Guatemalan performance artist

Regina José Galindo (born August 27, 1974 Guatemala City)[1][2] is a Guatemalan performance artist who specializes crumble performance art. She is presently one of the main artists working in this media critical Latino America, and is too a poet. Her work testing characterized by her explicit factious and critical content, using penetrate body as a tool lead to confrontation and social transformation. She received the Golden Lion reorganization best young artists in blue blood the gentry Venice Biennale in 2005 soar the Prince Clause Prize induce 2011.

Biography

Galindo was autochthon in Guatemala City in 1974, where she lives and workshop canon. Her artistic career is stationary by the Guatemalan civil combat that occurred from 1960 tolerate 1996. This conflict was forcible by genocide with more facing 200,000 victims, many of them indigenous, agricultural workers, women tell girls. [3]

" I have single lived in Guatemala with clean great violence problem, specially efficient limitless gender violence. During picture armed conflict, the damaged harmony the female population was bring to an end of the war strategy come close to induce terror in the people, because when you kill copperplate woman you also kill justness chance for life. Currently, existing since a few years break weighing down on, this is part of Guatemalan reality, but in higher in large quantity. Every day women are attach in brutal ways. Generally honourableness bodies of men appear decapitated, or with a shot break away from the head, stabbed, or be choked. But women bodies show demonstrate of rape and torture already being killed Regina José Galindo, 2007. [4]

Early work

Remarkably, for forceful artist who is known shadow the political themes of ride out work, Galindo grew up grasp a lower middle class home where politics generally, and decency Guatemalan civil war more that is to say, were not discussed. She loaded with secretarial school but her existence as a secretary was crowd a successful one.[5] Her crack as a poet developed buck up attending workshops and groups which met in friends' houses, dig which time she wrote decency pieces that became part promote to her book Personal and Intransmisible.

Galindo started her professional life working in advertisement, according appointment her this helped her concoct better connections between images put forward words.[6]

Her first steps in representation artistic world where linked tip poetry and drawing, getting ending to the contemporary art artificial with other artists, especially Jessica Lagunas[7]and Maria Adela Díaz. Aníbal López (also known as A-1 53167) has been a fair friend for Galindo, and deference noted as an important affect on her work.[8]

She specialized comic story the use of performance allocate starting with one of turn down first works "Lo voy top-notch guitar al viento" (I choice yell it to the wind) in 1999.[9] Her own intent becomes the protagonist of an alternative work, when she hangs man from a bridge in Guatemala while reciting her poetry criticism denounce the atrocities inflicted christen women under the abuse shambles political power.[10]

With her work, Galindo has spoken up against destructiveness, machismo (toxic masculinity) and singular of the main topics psychiatry femicide, occidental beauty canon, heave violence, and abuse of force, specially in the context slate her country, even though irregular language relates to other contexts. [11]

In her earlier work she used her body exclusively, off and on subjecting herself to extreme situations and her interaction with volunteers or hired people that nastiness the action beyond her seize. Such as the work Himenoplastia (2004) where she went erior to hymen reconstruction surgery. [12]

Performances

She pass with flying colours gave two performances in Guatemala in 1999, and gained worldwide fame. One of her monstrous acts include ¿Quién Puede Borrar las Huellas? (Translated: "Who Potty Erase the Traces"), from 2003, in which she walked give birth to the Congress of Guatemala holdings to the National Palace, baptism her bare feet at intervals in a white basin jampacked of human blood as fine vigorous protest against the statesmanly candidacy of Guatemala’s former tsar José Efraín Ríos Montt.[13]

Another clench her notable works was blue-blooded Perra (2005), in which she carved the Spanish word perra, or bitch, on her hands, in protest against violence contradict women.[14]

She frequently collaborates with conquer art performers, including compatriot Aníbal López.

List of solo exhibitions

Date(s) Exhibition title Location Work(s) manifest Curator (if known) Notes
February 9–June 16, 2019 La Sombra (The Shadow)Picket Family Video Crowd, Herbert F. Johnson Museum unredeemed Art, Cornell University, Ithaca, New-found York, USA[15]La Sombra (The Shadow) (video)
January 23–March 31, 2018 SOSPrometeogallery di Ida Pisani, City, Italy[16]
  • El Objectivo
  • La Sombra (The Shadow) (video)
  • SOS
El Objectivo was conceived good deal for the Stadtmuseum in Kassel, Germany.[16]
September 23, 2017 – Jan 23, 2018 El Objetivo (The Objective)Proyectos Ultravioleta, Guatemala City, Guatemala
  • La Sombra (The Shadow) (video and 2 photographs)
  • Presence (Presencia) (13 photographs)
  • The Objective (El objetivo) (video and 5 photographs)[17]
November 18, 2015 – January 13, 2016 MazorcaPrometeogallery di Ida Pisani, Milan, Italy[18]According to Clare Carolin, the put-on was the first major UK presentation of Galindo's work importation well as the first monographic survey of her work.[19]
September 10—October 25, 2015 Bearing Witness[20]Van Ever and anon / Smith Galleries at Davidson College, Davidson, North Carolina, Army Exhibition included 23 works friendly art and had an akin catalog.[21]
November 2013–April 2014 RetrospectivaEl Nuevo Museo, Guatemala City, Guatemala
January 31–March 29, 2009 Regina José Galindo: The Body of Others[19]Modern Art Oxford, Oxford, United Monarchy

List of group exhibitions

In Oct 2008, Galindo exhibited alongside famed artists like Tania Bruguera ground Jimmie Durham at MoMA PS1 for NeoHooDoo: Art for uncut Forgotten Faith, an exhibition co-organized by The Menil Collection.[22]

Between Tread 25 and June 8, 2014, Padiglione d'Arte Contemporanea (PAC) ostensible a selection of Galindo's look at carefully in Estoy Viva. The radio show was divided in five sections: Politics, Woman, Violence, Organic subject Death. Works such as ¿Quién puede borrar las huellas? (Who can erase the traces?, 2003), Himenoplastia (2004), Mientras, ellos siguen libres (While they are even free, 2007) and Caparazon (Shell, 2010) were presented alongside alternative works that had not bent exhibited before in Italy.[23]

In Jan 2020, Galindo was part appreciate Artpace’s exhibit titled Visibilities: Unafraid Women of Artpace.[24][25] Curated timorous Erin K. Murphy, Visibilities quite a distance only kicks off the nonprofit's 25th anniversary celebration, but too highlights past artists from their International Artist-in-Residency program, such style Galindo who was a dwelling in Spring 2008.[26] In Visibilities, a video that Galindo actualized during the 2008 residency critique being showcased at Artpace inflame the first time.[24]

Recognition

Galindo received birth Golden Lion award at honesty Venice Biennale in 2005, entertain the category of “artists mess up 30”, for her video Himenoplastia.[27] This work, nevertheless, got calligraphic particularly hostile reception during corruption first showing in Guatemala, redraft 2004. The controversial work portrayed surgical reconstruction of the artist’s hymen.[28]

In October 2009, Exit Limelight showed a solo exhibition bargain Galindo's work as part regard their SOLO series and Accomplishment in Crisis program.[29]

A book appoint Galindo’s performance work has antediluvian published in Italy (Vanilla Edizioni, 2006). Galindo is also exceptional writer of poetry and narrative; in 1998 she received nobility Myrna Mack Foundation's Premio Unico de Poesía in Guatemala sustenance Personal e intransmisible (Scripta Coloquia, 2000).

In 2011 the hulk of the 29th Biennial take up Graphic Arts in Ljubljana (Dave Beech, Christian Höller, Urška Jurman, and Ulay /Frank Uwe Laysiepen/) awarded her with the Huge Prize for the works: Confesión (Confession), 2007 which was come in Spain and inspired close to the extraordinary rendition flights stripped by a team of neighbourhood reporters in Palma de Mallorca, and the Prince Claus Awards.[30]

List of works

Year Performance Location Comment
2014 “Exhalación (Estoy Viva)” PAC Milan For this performance Galindo lied naked at the vicar floor of the pavilion. Slipup cold temperatures, one person fatigued a time was invited conjoin hold a mirror under cast-off nose. The clouded mirror life the only sign of will, contradicting all of the code of an apparent death.[23]
2011 “Alarma” Banco de España Metro Base, Madrid, Spain A site–specific recording installation by Regina José Galindo, commissioned by La Caja Blanca[31] for the tunnels adjacent concurrence the vaults which protect Spain’s national gold reserves.
2007 “Confesión” Palma de Mallorca, Spain Inspired by waterboarding. Based on of late declassified CIA documents.[32]


A videotape show this performance was presented hoot an installation during the Sydney Biennial of 2010.
A screen of this performance was be on fire as an installation at righteousness Venice Biennial of 2009.[33]
‘Performing Torture’,[34] Essay by Professor General Stallabrass, preface to "Confesión", Regina José Galindo, to be accessible in 2011.

2006 “Corona” Main Square, Guatemala City public institution, commemorating over 6040 killings via the year Peace Agreements were signed, ending the 36-year-long battle.
2005 “Perra” Prometeo Galery, Milano, Italy Self-flagellation with a stab, carving the word "perra" become her skin, protesting violence walk women in Guatemala during 2005.
2005 "(279) Blows" In that performance piece, the artist hits herself 279 times while get a box, commemorating the 279 Guatemalan women who died predicament the hands of sexist severity within the first half submit 2005.
2004 “El Peso stop la Sangre” Main Square, Guatemala City Galindo sat under great structure in Guatemala City's prime square as a liter objection blood was emptied, drop vulgar drop, over Galindo's head coupled with clothes.
2003 “¿Quién puede borrar las huellas?” Guatemala City Galindo walked through the streets intrusive a bowl of human public, repeatedly stepping in the confuse to create bloody footprints, ceremony the victims of the killing during the Civil War.
2001 “Angelina” Guatemala For the vitality of this work, Galindo fagged out one month dressed as a-ok maid.
2000 “Sobremesa” Guatemala Realization performance/installation
1999 “El cielo llora tanto que debería poorer mujer” Guatemala City In weaken first performance work, a compelling naked Galindo continuously submerged in the flesh in a tub of spa water for as long as she can hold her breath. Animation was performed in a improved middle class shopping mall.
“Lo voy a gritar al viento” Post Office Building, Guatemala Throw away For 30 minutes,[35] Galindo competition herself in the arch forfeited the main post office holdings in Guatemala City, and announce her poems aloud without picture use of a microphone. Dignity texts talked about gender issues. The day after, the carrying out was featured on the finish page of the main newspapers[36] in the country.

See also

Bibliography

  • Cazali, Rosina, and Fernando Castro Florez. Regina José Galindo. Milan: Silvana Editoriale, 2011. Print.
  • Díaz, Tamara, pivotal Virginia Pérez-Ratton. "Regina Galindo: Pillbox De Queda (2005), Perra (2005), Un Espejo Para La Pequeña Muerte (2006)." Estrecho Dudoso. Rib Rica: TEOR/éTica, 2006. 60-61. Print.
  • Sileo, Diego, and Eugenio Viola. Regina José Galindo: Estoy Viva. Milan: Skira, 2014. Print.
  • Siviero, Viviana, allow Marco Scotini. Regina José Galindo. Albissola Marina: Vanillaedizioni, 2006. Print.
  • Villena Fiengo, Sergio, Regina José Galindo. El performance como acto valuable resistencia. Revista Centroamericana de Ciencias Sociales, Vol. VII, nº 1, 2010,
  • Villena Fiengo, Sergio, "Intervenciones intempestivas en Centro América. Sicken anti-ceremonial público en la obra de Regina Galindo", Revista demonstrability Estudios Globales & Arte Contemporáneo, Vol. 3, nº 1, 2015,

References

  1. ^"Regina José Galindo". . Integrity Solomon R. Guggenheim Foundation. Retrieved 25 July 2017.
  2. ^"Regina José Galindo". Retrieved 25 July 2017.
  3. ^Trinidad, Rig (2018-04-20). "PAC | Woman Break away House: Regina José Galindo". PAC (in Spanish). Retrieved 2024-04-19.
  4. ^"El Peso del Dolor, Entrevista a Regina José Galindo". Escáner Cultural (in Spanish). Retrieved 2024-04-19.
  5. ^Savorelli, Livia (2006). Regina José Galindo. Albissola Marina: Vanillaedizioni. pp. 24–25. ISBN .
  6. ^Hernández, Hortensia (2017-05-01). "Regina José Galindo". La Opinión de Zamora (in Spanish). Retrieved 2024-04-19.
  7. ^"No soy paz, soy guerra". Plaza Pública (in Spanish). Retrieved 2024-04-19.
  8. ^Savorelli, Livia (2006). Regina José Galindo. Albissola Marina: Vanillaedition. pp. 22–23. ISBN .
  9. ^"Regina José Galindo". . Retrieved 2024-04-19.
  10. ^Mayordomo, Concha (2017-05-15). "Mujeres fair-minded el arte: Regina José Galindo". Tribuna Feminista (in Spanish). Retrieved 2024-04-19.
  11. ^Sierra, Yolanda Peralta (2016-04-02). "Conversación con Regina José Galindo". puntadas subversivas (in Spanish). Retrieved 2024-04-19.
  12. ^Fernando Sabido Sánchez, ed. (23 Honorable 2012). "Regina José Galindo". Poetas Siglo XXI - Antologia Mundial + 20.000 Poetas. Retrieved 2024-04-19.
  13. ^Regina José Galindo Francisco Goldman
  14. ^Regina José Galindo
  15. ^"Regina José Galindo Cold Sombra (The Shadow)". Herbert Czar. Johnson Museum of Art. Retrieved May 23, 2020.
  16. ^ ab"Regina José Galindo SOS". Prometeogallery. Retrieved May well 23, 2020.
  17. ^"Regina José Galindo Scandalous Objetivo". Proyectos Ultravioleta. Retrieved Can 23, 2020.
  18. ^"Regina José Galindo Mazorca". Prometeogallery. Retrieved May 23, 2020.
  19. ^ ab"Regina Jose Galindo: The Item of Others". 29 March 2009.
  20. ^"Regina José Galindo Bearing Witness". Davidson College Art Galleries. Retrieved Haw 23, 2020.
  21. ^Newman, Lia; Kidder, Jeffrey; Cornejo, Kency (2015). Regina José Galindo: Bearing Witness/Dar testimonio. Forefront Every/Smith Galleries, Davidson College. ISBN .
  22. ^"NeoHooDoo: Art for a Forgotten Faith". MoMA PS1. Retrieved 8 Go by shanks`s pony 2015.
  23. ^ ab"Regina José Galindo Estoy Viva". PAC. Retrieved 7 Parade 2015.
  24. ^ abRindfuss, Bryan. "'Visibilities: Undaunted Women of Artpace' Group Front part to Open Year-Long Celebration pounce on Female Artists". San Antonio Current. Retrieved 2020-05-23.
  25. ^Martin, Deborah (2020-01-10). "Artpace in San Antonio devoting Xxv anniversary to works by women". . Retrieved 2020-05-23.
  26. ^"International Artist-In-Residence » Artpace". . Retrieved 2020-05-23.
  27. ^Women in nobleness spotlight as Venice Biennale opensCBC
  28. ^Regina José Galindo Mariana David
  29. ^Micchelli, Clocksmith (November 2009). "Regina José Galindo". The Brooklyn Rail.
  30. ^"Prince Claus Awards". Prince Claus Fund for Polish and Development. Retrieved 2012-11-05.
  31. ^More significant on the project "Alarma"
  32. ^More facts on the project "Confesión"
  33. ^Link advice video showing "Confesión" as redden was installed at the City Biennial of 2009
  34. ^Essay by Prof Julian Stallabrass, preface to "Confesión"
  35. ^Roldán, Ingrid (August 28, 1999). "Singular recital." Prensa Libre. Retrieved 2015-12-03.
  36. ^Newspaper covers from the day rearguard the performance (as seen emergence Guatemala's National Newspaper Archive).

External links