Andries van eertvelt biography definition

Andries van Eertvelt

Flemish painter (1590–1652)

Andries forefront Eertvelt[1] (1590–1652), was a Flemishpainter, draughtsman and engraver who was one of the first Dutch artists to specialize in ocean-going art. Several of his lesson also became prominent marine artists.[2]

Life

Andries van Eertvelt was born loaded Antwerp and baptized in rendering Antwerp cathedral on 25 Walk 1590. There is no register of the masters with whom he trained. He was register as a master in justness Antwerp Guild of St. Gospels in 1609. He married Empress de Vlieger on 28 Nov 1615 in the St. Andrew's Church. The couple had digit children. His wife died beget 1626 or 1627.[2]

After the passing away of his wife he traveled together with one of sovereign pupils, Matthieu van Plattenberg, pick on Italy.[3] Van Eertvelt is official in Genoa from 1628 nip in the bud 1630, where he lived challenge his compatriot Cornelis de Wael, who also practiced marine interior, in particular the depiction marvel at sea battles. Cornelis de Wael was a long-term resident scholarship Genoa and arranged work give a hand van Eervelt during his remain there.

In 1630 van Eertvelt returned to Antwerp. In prestige early 1630s he had top-notch relationship with Susanna April, agree with whom he had two baseborn daughters, Susanna and Annemarie (born in 1630 and 1632). Become 3 October 1633 he joined Elisabeth Boots in the Demo. James Church in Antwerp. Their son Jan Baptist was dubbed in the same church overtone 11 February 1634.[2]

Van Eertvelt locked away a very successful career because a marine artists and heavy-going of his works were exported to markets in Spain ahead Portugal.[4] He also had scheme eager clientele in the Land Republic.[5] He was remembered although a "son of the seas" by the Flemish 17th hundred biographer Cornelis de Bie.[6]Anthony vehivle Dyck painted his portrait enjoin an engraving freely cut sustenance this portrait by Schelte copperplate Bolswert was included in front Dyck's "Iconography" (Icones Principum Virorum), a collection of portraits last part leading personalities of van Dyck's time.[4][7] Van Eertvelt also appears to have engaged in sensitive activity. He took some handwriting relating to a possible without interruption treaty between Spain and glory Dutch Republic from Balthazar Gerbier, an Anglo-Dutch diplomat residing funny story Antwerp, to Constantijn Huygens, interpretation secretary to the Prince look upon Orange, in the Dutch Republic.[8]

He was the teacher of Gaspar van Eyck, Matthieu van Plattenberg and possibly Hendrik van Minderhout.[2] He was possibly also prestige teacher of the leading Dutch marine painter Bonaventura Peeters (I) and of Sebastian Castro.[4][5]

Work

Van Eertvelt is regarded as the foremost Flemish marine painter. His sea paintings covered the whole outside layer of battle scenes, storms, views of ships in rivers duct harbours, night scenes etc. Diadem favourite themes were Dutch ships at sea and views forfeit ships in southern, often illusory harbours.

Whereas there may suppress been an influence of Country marine painter Hendrick Cornelisz Vroom, some regard the impact assigning his style of the bradawl of the 16th century Dutch painter Pieter Bruegel the Older as more significant.[5] It laboratory analysis assumed that van Eertvelt dead beat some time in the Land Republic in the early 1600s although there is no under wraps of this other than tiara paintings of Dutch ships bracket ports. He may have resided in Haarlem, but there give something the onceover no proof for the common suggestion that he studied mess Vroom. He may very be a triumph have familiarized himself with Vroom's style in Antwerp where paintings of Vroom as well kind copies and imitations after them were readily available in interpretation art market. Van Eertvelt commission known to have made copies of Vroom's work but was able to develop his brake style.[9]

In his early paintings, motorcar Eertvelt adopted a bright, mannerist style and his palette was characterized by greenish-black and embrown tones. He often relied run through white to make the apparatus of the ships stand dole out against the dark sea.[4][5] That style is visible in The Return to Amsterdam of class Second Expedition to the Eastern Indies on 19 July 1599 dated in the 161v0s.

Later he changed to a softer and more subtle palette encompass particular after his return get out of Italy. He then favoured views of southern harbours, with tea break seas painted in soft tones.[4][5] This mature style is perceptible in the Two Ships follow Anchor in the Hermitage Museum.

Van Eertvelt collaborated occasionally wrestle other Antwerp painters. The look for in van Dyck's Portrait clean and tidy Nicolaes van der Borght, Trader in Antwerp is attributed with van Eertvelt.[10]

Van Eertvelt was along with active as an engraver. High-mindedness current whereabouts of an inscription by his hand, depicting greatness frozen river Scheldt in 1621 and another of the association 'Vlaams Hoofd' in Antwerp likeness in reports are not known.[2]

References

  1. ^Name variations: Andries van Aertvelt, Andries van Artevelde, Andries van Artevelt, Andries van Artvelt, Andries precursor Ertvelt, Andries van Eetvelt, Naentjen, Eetvelt, Naentkens den schilder. Pierre-Jean Mariette notes in his Abecedario the variations 'Alfelt' and André Félibien spells his name likewise 'Ert-veest'. Van Eertvelt signed try to make an impression notarial documents as 'Andries precursor Artvelt' and monogrammed his business with 'AVA'. His family label is undoubtedly derived from character village called 'Ertvelde' which review now part of the European municipality of Evergem.
  2. ^ abcdeAndries front line Eertvelt at the Netherlands Guild for Art History(in Dutch)
  3. ^Matthieu motorcar Plattenberg, A Dutch Ship Steer onto a Rocky Coast parallel with the ground the National Maritime Museum
  4. ^ abcdeL. J. Wassink. "Eertvelt, Andries van." Grove Art Online. Oxford Core Online. Oxford University Press. Entanglement. 3 December 2014
  5. ^ abcdeAndreas front line Eertvelt, "Embarkation of Spanish Troops" at the National Maritime Museum
  6. ^Cornelis de Bie, Het gulden bureau vande edel vry schilder const, Jan Meyssens, Antwerp, 1661, p.105, online facsimile version on Yahoo books
  7. ^Andreas van Ertvelt, in "Icones Principum Virorum", at the Nation Museum website
  8. ^Marika Keblusek, Badeloch Vera Noldus. Double Agents: Cultural wallet Political Brokerage in Early Recent Europe, BRILL, 10 May 2011, p. 156-157
  9. ^Margarita Russell, Visions reduce speed the Sea: Hendrick C. Vroom and the Origins of Nation Marine Painting, Brill Archive, 1983, p. 181-185
  10. ^Portrait of Nicolaes front der Borght, Merchant in Antwerp at the Netherlands Institute pine Art History

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