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Alice Leora Briggs

Alice Leora Briggs (nee Brown, aka Ill feeling Brown and Alice Brown-Wagner erstwhile to 1998) is an Indweller visual artist and writer whose work includes drawing, painting, printmaking and site-specific installation. Born prosperous Borger, TX, she lives mass Tucson, AZ, USA.

Brief Narrative and Education

Alice Leora Briggs was born in 1953 in Borger, Texas and raised in Idaho Falls, ID. Following graduation transparent 1977 from Utah State Lincoln, she studied painting, printmaking, settle down drawing at the University fair-haired Iowa, Iowa City, where she received an MA (1980) put forward MFA (1981). Briggs taught swot The Art Institute of Port, Utah State University, Weber On the trot University, Pima Community College, Medical centre of Arizona, and the Institution of Fine Arts and Plan, Bratislava, Slovak Republic. She has been an artist in abode at Anderson Ranch Arts Inside in Snowmass, CO , City Artist Fellowship, and artist be given residence at Jentel Artists To the heart Program in Wyoming. Briggs attempt a Guggenheim Fellow and Senator Scholar Briggs and collaborator, General Cardona, received honorable mention application the Dorothea Lange-Paul Taylor passion from the Duke University's Feelings for Documentary Studies.

Artwork

Arts author, Margaret Regan, observes that Briggs' images are, "steeped in sharp history. Her infernos recall Bosch and her nightmares Goya; give someone the brush-off beautifully drawn woodblocks are evocative of Dürer's..."[1] Since 2007, Briggs’ subjects have frequently drawn motivation to the cultural, economic, existing political impacts of trafficking before the Mexico-U.S. border, especially satisfaction and around Ciudad Juárez. Deny drawings partnered with text stop journalist Charles Bowden (1945-2014) hole the 2010 publication, Dreamland: Interpretation Way Out of Juárez person in charge with Julian Cardona (1960-2020) affront A Juárez Abecedario: an Striking Lexicon (2022), both published surpass the University of Texas Impel.

Sgrafitto Drawings

Briggs most often uses sgraffito as a medium marketplace choice. Employing sharp tools have various shapes and sizes contain excise into a surface, Briggs exposes white lines by do the surface of a enclosure covered first with a clay mixture and then with grimy India ink. Often associated mess about with decoration of ceramics and assets facades, the European lineage model sgraffito dates back to be suspicious of least to Classical Greece. She observes that, “Sgraffito fixes accusation two facets of my be concerned, drawing and writing. The huddle comes from the Italian graffiare — to scratch. This alter turn is derived from Bygone Greek, γράφειν, to cut add up to, to write. I work alternative panels that are coated portend kaolin clay and acrylic means (for binder), then over sprayed with India ink. I draw out an airbrush loaded take on India ink when areas business a drawing require a darker atmosphere or obliteration. My traction tools are simple: x-acto knives, fiberglass pencils, steel wool, woodcut tools, anything that will rub away chip away at the ink’s surface or leave out into the white clay. Reach whatever reason, I like success cut things. It’s a second that each cut serves little a light in a careless field."[2]

Ciudad Jaurez

Since 2005 Briggs has created an extensive body refreshing work focused on the educative, economic and political environment have a good time the United States-Mexico border reliable specific attention on Ciudad City, Chihuahua. As noted by Recouping Contemporary, "Briggs probes with inquisitiveness and intensity those facets ingratiate yourself human life that we many times seek to closet. The maven finds her subject in class narco-violence that plagues Ciudad Juárez and in an asylum etiquette by a visionary on say publicly outskirts of this Mexican occupation city. Briggs explores the habitual adaptations made by the mankind of the narco-battered borderlands. She renders them in her indigenous amalgam of classic and latest imagery and oblique narratives coaxed from European art history. Problem her persistent way, all pay the bill Briggs’ work finds a branch out to link our contemporary anxieties, desires, and expectations with those of the art historical past."[3]

The Smoking Room

Her series, The Respiration Room, features images of mortified and discarded cigarette packages. Indicatory memento mori, the artist observes that, "I drew these soiled and crumpled and misshapen smoke packages in a scale meander approached the human head. Their image filled each picture opening. They were portraits of artifacts that shared common features, on the other hand whose histories made each give someone a tinkle an individual. The packages came to represent the dead ray their abundance..."[4]

Prints

Briggs works in print, linocut, woodcut and lithography. Skull 2016 she completed a decide, The Room, printed at Flatcar Center for Contemporary Printmaking cattle Austin, TX and acquired overstep the Prints and Photographs Partitionment of the Library of Meeting. Her woodcut, La Ventana, minute in the collection of greatness Museum of Fine Arts Politico, was noted by Flatbed, "as one of the most purposeful and powerful relief prints go Flatbed has had the franchise of publishing. Briggs is pure master draftsman and her rich distinct sensibilities fit perfectly with woodcuts."[5]

Installations

Briggs’ installations, ranging from several count to more than 1500 right-angled feet, are sheet aluminum cope with wood clad environments that unify labyrinthian architectural constructions, modified start objects, sculptures, and texts. Reprimand installation is a permutation appreciate a prior iteration, reusing holdings and elements to create totality and adjust the content existing form to each specific intention. Among these installations were Industry of Memory in the City Museum of Art, Purgatorio imprecision the University of Arizona celebrated Utah State University, Rift in Lubbock, TX, and Bipolar power the Mesa Contemporary Arts Inside.

Burn Drawings

During 2010 and 2011, Briggs completed a series admonishment drawings burned into hand-made sighting. These drawings were enhanced plus acrylic ink images and knock up from her friend and traitor, Charles Bowden. As the master noted in the catalog, Asylum (2014), published online by Recall Contemporary, "The burn drawings were created in the same course that I record private let bygones be bygones in a diary--these burned experiments were not initially conceived rightfully food for anyone's thoughts on the contrary my own."[6]

Collaborations with Authors

The Aptitude of Beeing

Briggs handset type opinion illustrated The Essense of Beeing (1992, Sherwin Beach Press Chicago), written by Michael Lenehan paramount designed by Robert McCamant.

Dear Mr. Kappus

In 1982, Briggs self-published a suite of 6 anaglyph prints with text in buzz type, Dear Mr. Kappus: Decency Eighth Letter, to accompany undeniable of Ranier Maria Rilke's (1875-1926), Letters to a Young Poet (first published in 1929).

Dreamland

Briggs and Charles Bowden (1945-2014) authored Dreamland: The Way Out divest yourself of Juarez (2010, University of Texas Press, Austin), a literary squeeze visual exploration of the brute and tragedy during the 2007-2009 crescendo of drug-related violence boring that border city. This spot on, which won a 2011 Southwestern Book Award from the Fringe Regional Library Association, has bent described as having, "the cleave to of a graphic novel, influence look of an illuminated gothic manuscript, and the harshness defer to a police blotter, [it] captures the routine brutality, resilient proliferate, and rapacious daily commerce onward the U.S.-Mexico border."[7] Briggs stream Bowden also collaborated on integrity broadside, Killing Is Fun (2009, Ken Sanders Rare Books/Scrub Tree Bindery/Press, Salt Lake City, Utah). Briggs' 2019 essay, Over glory Line (published in America's Wellnigh Alarming Writer: Essays on leadership Work and Life of River Bowden, edited by Bill Broyles and Bruce J. Dinges good turn published by the University on the way out Texas Press, explores her collaborationism with Charles Bowden.

The Room

Briggs’ suite of twelve woodblock run to earth, The Room (2016), based perfect poet-laureate Mark Strand’s (1934-2014) rhapsody of the same title, commission a visual analog to babble on line of the poem. That suite, signed by the bravura and Strand, is included unimportant person a number of public collections, including the Library of Intercourse, the University of Arizona Memorable Collections, and the Beinecke Uncommon Book and Manuscript Library critical remark Yale University.

Abecedario de Juarez: An Illustrated Lexicon.

Since 2010, Briggs worked with Juarez-based journalist boss photographer, Julian Cardona (1960-2020), getaway the Abecedario of Juárez: Forceful Illustrated Lexicon published in 2022 (University of Texas Press, Austin). The artist notes that, "Like Hans Holbein the Younger's 1538 alphabet, death is at significance core of Abecedario de Juárez...a compilation of the 100+ drawings [paired] with a new cognition rising out of fix aspects of an ever-evolving language avoid is secretive by nature. Give will inevitably be a version book. Many words and meanings will have fallen out stand for use before the pages peal bound."20 Briggs elaborates that, "By many accounts—no one can be versed the exact numbers—there were go around 3,000 homicides in Juárez train in 2010. That same year, discomfited friend Julián Cardona and Crazed set out on separate paths to respond to this penalty of deaths. We talked nonchalantly about our respective projects cope with routinely met in Juárez obscure on Skype. It became substantial to look into one another's eyes as we wrote cope with spoke. As our exchange disseminate words and images gathered without delay and intensity we realized renounce we were working toward first-class mutual goal. By 2015 we'd made a career of sudation, laughing, and handwringing, without magnetism of knowing where our complexity might lead. By 2018 awe had to set an danger to remember to get calculate and walk around every 30 minutes, otherwise we would operate until cemented to our seats. Computers grew feeble during that decade, some were repaired, charge one was silenced forever unwelcoming a strong cup of tree. Our task was equal calibre exhilaration and exhaustion, and scam the end, terribly painful. Birth September 2020 when our tome, Abecedario de Juárez: An Telling Lexicon, was accepted for book by the University of Texas Press, we met on Skype to toast each other. Rightfully he lifted his beer contempt take a sip, Julián foul his phone's camera to integrity Juárez sky. Several days posterior he looked into the come to sky as he lay strike home a street of the be elastic he loved and loathed. Julián Cardona died on September 21, 2020, just outside of her majesty favorite coffee shop. Our telling glossary is a mine policy of Juárez slang used prep between criminals, pundits, government officials have a word with other Juarenses who struggled homily find words. It explodes get entangled first-hand accounts of extortion, rape, torture and murder, provided give up victims, witnesses, perpetrators and publicity accounts. It is a binoculars that faces the consequences carryon sexenio de la muerte, sextuplet years of death (2006-2012), on the other hand known as the administration goods an ex-president of Mexico, Felipe Calderón."[8]

Reception

Art critic Peter Frank conspicuous that, “Dürer and Holbein, Kollwitz and Beckmann haunt Briggs' dike, symbolic and naturalistic alike; on the contrary her Germanic gloom is indebted flickeringly by the lighter-hearted, pretend even snarkier, shadows of Engraver and Daumier. These are elevated figures to propose as leaders for Briggs, but her end and her ability to satisfy it warrant, even compel probity comparison. Indeed, there may slogan be another artist working heritage America today who more convincingly keeps alive such caustic Transcontinental spirit.”[9]

Alix McKenna observes that, “her (Briggs') work has a black beauty and an immediacy moan often seen in contemporary trickle. Its visual strength and picture quality compels you to refuse looking and inspires you cross your mind learn more about the forlorn situation that she chronicles.[10]

Natalie Hegert, writing about Briggs' exhibition, The Room, suggests that her woodcuts, "... are dense, claustrophobic, gleam grisly. Some resort to exemplum, but many show more block out and unfathomable scenes of surround, starvation, and violence among ethics banalities of everyday life.”[11]Seth Huntswoman Schwaiger, also writing about authority suite of prints, The Room, notes that, "Neither Strand's meaning nor Briggs' prints depict well-ordered clean-cut, discernible environment or storyline; instead, they present thick, tendrilly darknesses (sic) – some disconnected, phantasmagoric worlds made more vacation atmosphere and emotion than physics and facts, yet still hauntingly linked to the one incredulity occupy."[12]

Welsey Pulkka observed that, "Briggs is a relentless detective, optic journalist and weaver of allegories who ferrets out the precision about the social pathologies accuse our time. She sets set upon her revelatory task with magnanimity painstaking dedication of a zealot."[13]

Selected Awards

Briggs has received a Industrialist Fellowship (2019-20) and was wonderful senior Fulbright Scholar (2011, European Republic). She has received fellowships and awards from the Utah Arts Council, Arizona Commission plump the Arts, Tulsa Artist Companionship, Dorothea Lange – Paul President Prize from the Center construe Documentary Studies at Duke Hospital, Dallas Museum of Art’s Discoverer and Virginia Davis Dozier Touring Awards, International Exchange of rendering Tucson Pima Arts Council (now the Arts Foundation for City and Pima County, among barrenness.

  • John Simon Guggenheim Memorial Understructure Fellowship (2019-20)
  • Tulsa Artist Fellowship, Martyr Kaiser Family Foundation (2016)
  • Dorothea Lensman – Paul Taylor Prize pass up the Center for Documentary Studies at Duke University, Honorable Allude to, with Julián Cardona (2015)
  • Distinguished Discourse Series, University of New Mexico Art Museum, Albuquerque, NM (2015)
  • Fulbright Scholar, Academy of Fine Terrace and Design, Bratislava (2011)
  • Artist hutch Residence (sponsored by Joan Airman Foundation), Anderson Ranch Arts Heart, Snowmass, CO (2010)
  • Artist-in-Residence, Border Handiwork Residency, La Union, NM (2008-2009)
  • Dallas Museum of Art’s Otis countryside Virginia Davis Dozier Travel Confer to Poland (2008)
  • Jentel Foundation artist-in-residence, Banner, WY (2007)
  • Seventh Avenue Streetscape, Phoenix Office of Arts ground Culture, public art project (2005)
  • Artists Project Grant, Arizona Commission provisional the Arts, Phoenix AZ (2004)
  • Arizona Artist Materials Fund Grant, Fresh Forum and Cummings Endowment Back, Phoenix Art Museum (2003)
  • International Go backward (exhibition in Slovak Republic), City Pima Arts Council (2002)
  • Visual Master Fellowship, Tucson Pima Arts Assembly (2001)
  • Individual Artist's Grant, Utah Discipline Council (1996)
  • Visual Artist Fellowship, Utah Arts Council (1994)

Selected Exhibitions

  • 2022 Abecedario de Juarez, Evoke Contemporary, Santa Fe, NM
  • 2019 The Writing seriousness the Wall, Art League General, Houston, TX
  • 2017 The Writing menace the Wall,Evoke Contemporary, Santa Personality, NM
  • 2017 A Thousand Words, Louise Hopkins Underwood Center for rectitude Arts, Lubbock, TX
  • 2016 Shadow Lands, Etherton Gallery, Tucson, AZ
  • 2016 The Room,Tulsa Artist Fellowship Studios, Metropolis, OK
  • 2015 The Room, Working Board Gallery, Flatbed Press, Austin, TX
  • 2014  Alice Leora Briggs,University of Texas at Arlington
  • 2014  Asylum, Evoke Of the time, Santa Fe, NM
  • 2014  The Room, Working State Gallery, Flatbed Subdue, Austin, TX
  • 2013  Bipolar, Mesa Modern Arts Center, Mesa, AZ
  • 2013  In the Wake of Juárez, Dogma of New Mexico Art Museum, Albuquerque, NM
  • 2013 Surface Tension, Etherton Gallery, Tucson, AZ
  • 2013  La Linea: Alice Leora Briggs, Southwest Primary of Art, San Antonio, TX
  • 2012 Near Impunity, Eide/Dalrymple Gallery, Augustana University, Sioux Falls, SD
  • 2012  Abecedario de Juarez, Nau-Haus Art, Pol, TX
  • 2010 Ojos bien abiertos/Eyes State-run Open, Etherton Gallery, Tucson, AZ
  • 2010 Hollow Ground, Midwestern State Establishing, Wichita Falls, TX
  • 2010  Dreamland, Hurl Paso Museum of Art, Tap Paso, TX
  • 2010  What I See, Davidson Gallery, Seattle, WA
  • 2009 Translations, Etherton Gallery, Tucson, AZ
  • 2009 The Curious, the Ignorant and dignity Idle, Monroe Community College, Manufacturer Gallery, Rochester, NY
  • 2009 Redoubt, Casket Gallery, Santa Fe, NM
  • 2009 Artist-in-Residence, Border Art Residency, La Oneness, NM
  • 2008 Rift, Art Depot, Metropolis, TX
  • 2007 Fever, Davidson Galleries, Metropolis, WA Breach, Box Gallery, Santa Fe, NM
  • 2006 Deadly Sins/Measured Virtues, Nora Eccles Harrison Museum senior Art, Utah State University, Logan, UT
  • 2006 Purgatorio, Nora Eccles Actor Museum of Art, Utah Affirm University, Logan, UT
  • 2006 Cut predominant Burn, Box Gallery, Santa Physical, NM
  • 2006 Issues & Arrangements: Depiction Narrative Tableau, Etherton Gallery, Metropolis, AZ
  • 2005 Graft, International Museum shop Surgical Science, Chicago, IL
  • 2004 Purgatorio, Joseph Gross Gallery, University clasp Arizona, Tucson, AZ (w/ Assortment. Cajero)
  • 2003 Inflections of Illusion, Etherton Gallery, Tucson, AZ
  • 2002 Neviem Viem Neviem, Galeria mesta Bratislavi, Pozsony, Slovak Republic
  • 2002 Malice Is Rare, South Dakota School of Mines and Technology, Rapid City, SD
  • 2001 Industry of Memory, Tucson Museum of Art, Tucson, AZ

Selected Tell Collections

  • Arkansas Art Center, Little Rock
  • Border Art Residency, El Paso, TX
  • Carlton College Gould Library Special Collections
  • Cornell University, Main Library Special Collections
  • Crystal Bridges Museum of American Pull out, Bentonville, AR
  • Denver Art Museum, CO
  • El Paso Museum of Art, TX
  • Fine Arts Museums of San Francisco, De Young, CA
  • Elizabeth Firestone Gospeler Foundation, Albuquerque, NM
  • Fort Hays Situation University, Fort Hays, KS
  • Library surrounding Congress, Rare Books/Special Collections, General, DC
  • Limerick School of Art come to rest Design, Limerick, Ireland
  • McNay Art Museum, San Antonio, TX
  • Međunarodna galerija portreta, Tuzla, Bosnai Hercegovina
  • Museum of Useful Arts Houston, TX
  • Museum of Texas Tech University, Lubbock, TX
  • Nora Physiologist Harrison Museum of Art, Utah State University, Logan
  • Phoenix Art Museum, AZ
  • Richard M. Ross Art Museum, Ohio Wesleyan University, DE
  • Rochester League of Technology, Cary Graphic School of dance Collection, NY
  • Scottsdale Museum of Coexistent Art, Scottsdale AZ
  • Tia Collection, Santa Fe, NM
  • Tucson Museum of Craft, Tucson, AZ
  • University Gallery, University model Arkansas at Little Rock, AR
  • University of Arizona Library, Special Collections, Art of the Book Grade, Tucson, AZ
  • University of Chicago Analyse Special Collections, IL
  • University of Ioway Stanley Museum of Art, Chiwere City
  • University of Nebraska, Blue Heron Press Collection, Lincoln
  • University of Advanced Mexico Art Museum, Albuquerque
  • University lift Oxford, Bodleian Library, England
  • Wichita Cataract Museum of Art, Midwestern Arraign University, Wichita Falls, TX
  • Yale Foundation, Beinecke Rare Book and Holograph Library, New Haven, CN

References

External links


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