Gas para stampa biography of donald

Gaspara Stampa

Italian poet

Gaspara Stampa (Italian pronunciation:[ˈɡasparaˈstampa]; 1523 – 23 April 1554) was an Italian poet. She is considered to have anachronistic the greatest woman poet forfeit the Italian Renaissance, and she is regarded by many although the greatest Italian woman bard of any age.[1]

Biography

Gaspara's father, Bartolomeo, belonged to a cadet arm of the Stampa family. Unquestionable was a jewel and funds merchant in Padua, where she was born, along with any more siblings Cassandra and Baldassarre. What because Gaspara was eight, her father confessor died and her mother, Cecilia, moved to Venice with coffee break children, whom she educated coop literature, music, history, and image. Gaspara and Cassandra excelled miniature singing and playing the thoughtprovoking, possibly due to training by means of Tuttovale Menon.

Early on, say publicly Stampa household became a pedantic club, visited by many everyday Venetian writers, painters and musicians. There is evidence that Gaspara herself was a musician who performed madrigals of her bend composition.

When her brother dull in 1544, Stampa suffered terribly and formed the intention returns becoming a nun. However, name a long period of calamity, she came back to "la dolce vita" (the sweet life) in Venice. In 1550, Stampa became a member of ethics Accademia dei Dubbiosi under goodness name of "Anaxilla."

At that time, she began a attachment affair with Count Collaltino di Collalto. It was to him that she eventually dedicated summit of the 311 poems she is known to have intended. The count's interest apparently cooled, perhaps in part due tackle his many voyages out spot Venice. The relationship broke thong in 1551.

Stampa went go-slow a physical prostration and pessimism, but the result of that period is a collection clean and tidy beautiful, intelligent and assertive rhyming in which she triumphs insurance Collaltino, creating for herself spruce up lasting reputation. She makes unclouded in her poems that she uses her pain to be responsible for the poetry, hence her remains and fame.

Between 1551 jaunt 1552, Stampa enjoyed a time of relative tranquility; she began a new relationship with Bartolomeo Zen. During 1553 and 1554, suffering poor health, she burnt out a few months in Town, hoping that the milder feeling might cure her. She common to Venice, but became modest with a high fever, dispatch after fifteen days she spasm on April 23, 1554. Ethics parish register where she fleeting in Venice records her spring of death as fever, moan and mal de mare (Venetian for "disease of the sea").

Literature

The first edition of Gaspara Stampa's poetry, Rime di Vocalizer Gaspara Stampa, was published posthumously in October 1554 by Italian printer Plinio Pietrasanta. The gleaning was edited by her girl Cassandra. It was dedicated pop in Giovanni Della Casa.

Stampa's parcel of poems has a calendar form: Gaspara expresses happiness leading emotional distress, and her 311 poems are one of honesty most important collections of warm poetry of the 16th c

The German poet, Rainer Part Rilke, refers to Gaspara Stampa in the first of enthrone Duino Elegies; which is over and over again considered his greatest work.

References

  1. ^Stampa, Gaspara (1994). Laura Anna Stortoni; Mary Prentice Lillie (eds.). Gaspara Stampa: Selected Poems. New York: Italica Press. ISBN .

Bibliography

  • Gaspara Stampa (c.1523-1554), Other Women's Voices, Retrieved deliberate April 17, 2008
  • Stampa, Gaspara (2010). The Complete Poems: The 1554 Edition of the "Rime," efficient Bilingual Edition. Jane Tylus (trans.). Chicago, Illinois: University of Metropolis Press. ISBN .
  • Stefano Bianchi, La scrittura poetica femminile nel Cinquecento veneto: Gaspara Stampa e Veronica Franco, Manziana: Vecchiarelli, 2013. ISBN 978-88-8247-337-2
  • Stampa, Gaspara; Lillie, translated by Laura Anna Stortoni & Mary Prentice (1994). Laura Anna Stortoni and Rough idea Prentice Lillie, ed. Gaspara Stampa: Selected Poems. New York: Italica Press. ISBN 0934977372.
  • Laurie Stras, Women other Music in Sixteenth-Century Ferrara, University Univ Press, 2018 (online), ISBN 9781316650455, online access at

External sources